THE P.C. LUNIA

SACRED JEWEL ART COLLECTION

Nine generations of impossible objects.


This is not a museum. This is an arsenal.

Each piece in this collection was created to collapse the distance between human and divine. Temple adornments. Ceremonial textiles. Sacred objects that blur the line between jewellery and prayer. Works valued between $300,000 and $15 million—though some would argue the real value is beyond calculation.

Technique you've never seen. Materials you recognise. Meaning you feel before you understand.


An ornate framed artwork depicting the Kaaba, a sacred Islamic structure in Mecca, surrounded by detailed decorative borders, with gold accents and floral patterns.

NOT A MUSEUM. A PRADISE OF WONDERS.

Objects designed to collapse the distance between us.

The Impossible Object.

So many gemstones in one place that it will make your eyes pop, and there will be pin-drop silence in the room. I can guarantee that reaction: carats and carats and more carats of emeralds, rubies, diamonds, sapphires and pearls.

All Woven, not set.

A Hindu tribute to Islam. The ultimate physical manifestation of interfaith dialogue.

"The art will do what politics cannot."

THE KAABA SHARIF JEWEL TAPESTRY

Painting of the Kaaba, a black cube-shaped building with gold decoration, in the courtyard of the Masjid al-Haram in Mecca, Saudi Arabia, with surrounding arches and minaret in the background.

SACRED TEXTILES

Bejewelled Diplomacy.

Techniques that predate the Industrial Revolution. Precious gemstones woven directly into silk—jewellery you can fold; treasure that breathes.

Black and white portrait of a young man with neatly combed hair, wearing a white shirt and a dark suit.

THE PRACTICE

The Invisible Thread.

My father was not a decorator. He was devoted to his craft and happened to work with precious gems.

In a world addicted to conflict, these objects force you to change your pace; they are anchors.

70,000 carats. Never exhibited. The crown jewel is ready to meet the world.

This collection is available for exhibition, acquisition, and partnership. We work with museums, private collectors, cultural foundations, and institutions aligned with our vision of art as bridge-building.

FOR COLLECTORS & INSTITUTIONS